Jartti kari mukku ajjulunginyi / Other People’s Property (O.P.P.)

Edie Duffy’s photorealism doesn’t just document—it distorts. Mining eBay’s throwaway images, she renders objects with a fixation that turns the banal into the surreal, collapsing nostalgia, obsolescence, and digital-age vertigo into a vision both unsettling and precise.

Trump’s Gaza fantasy blurs satire, atrocity, and the global collapse of political language into performative chaos.

Whether collaboration has a “future” raises a deeper question as to how collaboration can stake a claim on the future as such.