Jartti kari mukku ajjulunginyi / Other People’s Property (O.P.P.)

From borrowing Tarkovsky at the UQ library to representing Australia at the Venice Biennale, Archie Moore’s art interrogates memory, history, and place. But what role does cinema play in his practice?

Kim Gordon’s rock-star body is an object of projection—vacuuming, sleeping, wielding a Jazzmaster in Airbnb limbo. From Sonic Youth to No Home Record, she performs middle-class blankness, but what’s staged, what’s real, and who’s the audience for her disembodied domestic rebellion?

KIRAC’s gonzo filmmaking shatters art world niceties, but their entanglement with Michel Houellebecq—novelist, provocateur, reluctant porn star—turns chaotic. As lawsuits fly and reputations fray, the real spectacle isn’t the film itself but the battle over who gets to tell the story.