Jartti kari mukku ajjulunginyi / Other People’s Property (O.P.P.)

Anna Higgins’s work operates within a cinematic, layered logic of montage—an intricate interplay of history, memory, and materiality.

Kim Gordon grinds handrails with a Jazzmaster, vacuums in MNZ heels, and sings of capitalism’s end while modelling for its tastemakers. Object of Projection channels the aesthetics of resistance, but is it rebellion or just another symptom of “conservative cool”?

A prolific hyperproduction and sense of take-over lifted the Brio’s head out of the fray.